Sara Hillnhutter

Sara Hillnhutter was appointed research and teaching assistant in Art History at the Humboldt University Berlin in 2012, and has been a member of the post-graduate colloquium The Photographic Dispositif at the Braunschweig University of Art since 2013. She is part of the DFG (German Research Society) network Naturalizing the Transcendental. Epistemic conditions and appearances of the so-called Modern Era in science, literature and art around 1900. She co-edited Glossary of Inflationary Terms ...See more

Sara Hillnhutter was appointed research and teaching assistant in Art History at the Humboldt University Berlin in 2012, and has been a member of the post-graduate colloquium The Photographic Dispositif at the Braunschweig University of Art since 2013. She is part of the DFG (German Research Society) network Naturalizing the Transcendental. Epistemic conditions and appearances of the so-called Modern Era in science, literature and art around 1900. She co-edited Glossary of Inflationary Terms (nGbK Berlin, 2013), a reflection on processes of dislimitation within art and work contexts. After studying in Berlin, New York City, and Madrid she worked in 2008 as project coordinator for fine arts at the Goethe Institute Mexico City. Stefanie Klamm is academic collaborator at the Photography Collection of the Kunstbibliothek Staatliche Museen zu Berlin-Preussischer Kulturbesitz. Her research centers on the history of archaeological practice, museums, and heritage studies as well as on visualization practices in the sciences and humanities; she is particularly interested in photography's relation to other media, photographic materiality, and photo archives. Her most recent book focused on the role of the visual in archaeology: Bilder des Vergangenen. Visualisierung in der Archaologie im 19. Jahrhundert: Fotografie - Zeichnung - Abguss (Gebr. Mann, 2017).Friedrich Tietjen has taught History and Theory of Photography at the Academy of Visual Arts in Leipzig, History of Contemporary and Modern Art at the University of Vienna and at numerous other universities and academies. He has curated numerous exhibitions on topics such as Private Photography in Austria 1930-1950 (Vienna), Photography and Death (Berlin), and Art Editions (Graz). Together with Maria Gourieva he is the founder and co-organizer of After Post-Photography, an annual conference at the European University in St Petersburg/Russia. His numerous publications address mainly topics from the field of photography along with essays on fashion, design and film, many of which can be found at ... See less