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Emily Wilbourne

Emily Wilbourne is Associate Professor of Musicology at Queens College and the Graduate Center in the City University of New York. She has previously published Seventeenth-Century Opera and the Sound of the Commedia dell'Arte (2016) and Lesbian/Opera: Elena Kats-Chernin's Iphis and Matricide: The Musical (2022); a collection of essays, co-edited with Suzanne G. Cusick, Acoustemologies in Contact: Sounding Subjects and Modes of Listening in Early Modernity (2021) is available via open access.