"She, a woman of high beauty, created like no other to be Medea, Madonna, Iphigenia, Aspasia, decided one sunny winter day to escape her loneliness and to leave La Rotonda. She bought a ticket 'Aller jamais retour. Berlin Tegel'." This is the opening scene of Ulrike Ottinger's momentous 1979 film Ticket of No Return-the woman of high beauty was Tabea Blumenschein. Unconcerned by all conventions, Blumenschein adored transformation: in a distinctive, avant-garde aesthetic, the two women embraced various different ...
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"She, a woman of high beauty, created like no other to be Medea, Madonna, Iphigenia, Aspasia, decided one sunny winter day to escape her loneliness and to leave La Rotonda. She bought a ticket 'Aller jamais retour. Berlin Tegel'." This is the opening scene of Ulrike Ottinger's momentous 1979 film Ticket of No Return-the woman of high beauty was Tabea Blumenschein. Unconcerned by all conventions, Blumenschein adored transformation: in a distinctive, avant-garde aesthetic, the two women embraced various different identities and challenged many norms, in the process revealing the performativity of gender. Initiating a dialog between the two artists' perspectives, these books bring together for the first time Blumenschein's drawings with Ottinger's photographs from their joint performance sessions.
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Add this copy of Zusammenspiel (Bilingual Edition) to cart. $80.95, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2022 by Hatje Cantz Verlag.
