The novel is set in post-World War I England and explores themes of love, relationships, sexuality, and gender roles. Ursula and Gudrun are both independent-minded and intelligent women who struggle to find fulfillment in their romantic relationships with Rupert and Gerald, respectively. The men, too, are complex characters who grapple with their own desires and insecurities. As the novel progresses, the characters become embroiled in a web of emotional and sexual tension, leading to tragic consequences. Lawrence's prose is ...
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The novel is set in post-World War I England and explores themes of love, relationships, sexuality, and gender roles. Ursula and Gudrun are both independent-minded and intelligent women who struggle to find fulfillment in their romantic relationships with Rupert and Gerald, respectively. The men, too, are complex characters who grapple with their own desires and insecurities. As the novel progresses, the characters become embroiled in a web of emotional and sexual tension, leading to tragic consequences. Lawrence's prose is vivid and poetic, and his exploration of human relationships is both profound and thought-provoking This novel, considered by Lawrence to be his best, centres on the characters of Birkin (a self portrait), Gerald, the son of a colliery owner, and the two women, Gudrun and Ursula
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Add this copy of Women in Love (Wordsworth Classics) to cart. $1.39, new condition, Sold by Orion Tech rated 4.0 out of 5 stars, ships from Arlington, TX, UNITED STATES, published 1992 by Wordsworth Editions Ltd.
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Asked to name the ten greatest novels of the 20th Century very few well read people would leave this explosive, sensitive novel off the list. Lawrence had so many artistic talents - poet, essayist, travel writer, painter. But above all his best novels display all of these talents; and none more so than "Women in Love."
Many may disagree with his convictions that drive his characters in this powerfully unfolding tale, but somehow faulting what Lawrence believes, or for that matter, what his creations do to themselves and others, seems especially beside the point, as the poetic passion simply drowns any cool headed intellectual attempt to reduce the raw recreation of experience with such precision.
This is not suggest that Lawrence lacked the deep intelligence to delve into what it means to be human and expose the frailty of his passionate conduct. He senses with a sure instinct that it is this very passion that makes us all so vulnerable. Yet, he nevertheless shows us in scene after unfolding scene that being false to our true selves leads to even greater misery: the reductive misery of unfulfillment..
