Willem de Kooning, one of the great pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply skeptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This strikingly designed book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist ...
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Willem de Kooning, one of the great pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply skeptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This strikingly designed book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background. De Kooning relied on early-twentieth-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings, and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Using turbulent brushwork, he turned female figures into monumental, intentionally vulgar, wildly distorted images whose parts read alternately as flat pattern and fully rounded forms. The effect is an almost violent sensuality. The artist's later style differed dramatically from that of earlier decades. Familiar shapes and hues suggest that women remain in his works, yet they are distorted beyond recognition as if seen from underwater. As put by Thomas Hess, the artist's friend and critic, "Woman, for de Kooning, is the human equivalent of water; more than a vessel, she embodies it in planes of rippling flesh." EXHIBITION SCHEDULE http: //... The Museum of Contemporary Art, Los Angeles February 10, 2002-May 5, 2002 http: //... The National Gallery of Art, Washington, D.C.. September 29, 2002-January 5, 2003 http: //... The San Francisco Museum of Modern Art June 15 - September 8, 2002
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Add this copy of Willem De Kooning: Tracing the Figure to cart. $33.47, good condition, Sold by ThriftBooks-Dallas rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2002 by Princeton University Press.
Add this copy of Willem De Kooning: Tracing the Future to cart. $40.00, very good condition, Sold by Moe's Books rated 5.0 out of 5 stars, ships from Berkeley, CA, UNITED STATES, published 2002 by Princeton University Press.
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Very good in Very good jacket. Jacket spine is sunned and lightly stained, but legibility is not impacted. Back jacket cover is scuffed along hinge. Jacket edges are worn. Spine is tight. Cover edges are shelf worn. Cover corners are bumped. Inside edges are slightly tanned, but readability is not affected. Pages are unmarked.
Add this copy of Willem De Kooning: Tracing the Figure to cart. $48.00, very good condition, Sold by HPB Inc. rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2002 by Princeton University Press.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Add this copy of Willem De Kooning: Tracing the Figure to cart. $50.00, very good condition, Sold by Moe's Books rated 5.0 out of 5 stars, ships from Berkeley, CA, UNITED STATES, published 2002 by Princeton University Press.
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Near fine in Very good jacket. Jacket is lightly worn along edges. Jacket is lightly sunned along spine and around bottom edge of back cover, not affecting legibility. Book itself is in excellent condition with no visible flaws. Binding is tight and inside is clean and unmarked.
Add this copy of Willem De Kooning: Tracing the Figure to cart. $55.00, very good condition, Sold by Hennessey + Ingalls rated 5.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 2002 by Princeton University Press.
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Used-Very Good. Willem de Kooning, one of the great pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply skeptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This strikingly designed book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background. De Kooning relied on early-twentieth-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings, and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Using turbulent brushwork, he turned female figures into monumental, intentionally vulgar, wildly distorted images whose parts read alternately as flat pattern and fully rounded forms. The effect is an almost violent sensuality. The artist's later style differed dramatically from that of earlier decades. Familiar shapes and hues suggest that women remain in his works, yet they are distorted beyond recognition as if seen from underwater. As put by Thomas Hess, the artist'sfriend and critic, 'Woman, for de Kooning, is the human equivalent of water; more than a vessel, she embodies it in planes of rippling flesh. ' EXHIBITION SCHEDULE The Museum of Contemporary Art, Los AngelesFebruary 10, 2002-May 5, 2002 The National Gallery of Art, Washington, D.C. September 29, 2002-January 5, 2003 The San Francisco Museum of Modern ArtJune 15-September 8, 2002 BEAUTIFUL COPY! ! ! wrapped in complimentary Brodart dust jacket protector...
Add this copy of Willem De Kooning: Tracing the Figure to cart. $76.55, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2002 by Princeton University Press.
Add this copy of Willem De Kooning: Tracing the Figure to cart. $77.03, Sold by Zubal Books rated 4.0 out of 5 stars, ships from Cleveland, OH, UNITED STATES, published 2002 by Princeton University Press.
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200 pp., Hardcover, NEW in a NEW dust jacket; still in publisher's shrinkwrap! ! . -If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Add this copy of Willem De Kooning Tracing the Figure to cart. $97.50, very good condition, Sold by Books on the Boulevard rated 3.0 out of 5 stars, ships from Sherman Oaks, CA, UNITED STATES, published 2002 by Princeton University Press.
Add this copy of Willem De Kooning: Tracing the Figure to cart. $97.99, very good condition, Sold by Resource Books, LLC rated 5.0 out of 5 stars, ships from East Granby, CT, UNITED STATES, published 2002 by Princeton University Press.
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Very Good in Very Good jacket. Princeton, NJ: Princeton University Press, 2002. First edition, 2002. Color illustrated throughout. Large book, 13.5 inches tall, green over tan linen-like cloth, illustrated dustjacket. The book is in very good condition with a slight bump at the top edge of the front cover that is not visible on the dustjacket, otherwise fine condition with tight binding, clean pages, no names or other markings. The mylar protected dustjacket has some shelf soil to the rear cover, otherwise fine with no chips or tears. First Edition. Hard Cover. Very Good/Very Good. Folio-12"-15" Tall.
