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Vivaldi: Sacred Music, Vol. 3 - Aradia Ensemble; Carla Huhtanen (soprano); Eve Rachel McLeod (soprano); Jennifer Enns Modolo (mezzo-soprano);...
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  1. Magnificat, for 2 voices, chorus, strings & continuo in G minor, RV 611 (Venice Version)
  2. Salve Regina, antiphon for voice, violin, strings & continuo in F major, RV 617
  3. Concerto madrigalesco, for strings & continuo in D minor, RV 129
  4. Nisi Dominus (Psalm 126), for voice, viola d'amore, strings & continuo in G minor, RV 608
  5. Kyrie, for double vocal soloists, double chorus, double strings & continuo, strings & continuo in G minor, RV 587
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  1. Magnificat, for 2 voices, chorus, strings & continuo in G minor, RV 611 (Venice Version)
  2. Salve Regina, antiphon for voice, violin, strings & continuo in F major, RV 617
  3. Concerto madrigalesco, for strings & continuo in D minor, RV 129
  4. Nisi Dominus (Psalm 126), for voice, viola d'amore, strings & continuo in G minor, RV 608
  5. Kyrie, for double vocal soloists, double chorus, double strings & continuo, strings & continuo in G minor, RV 587
  6. In furore giustissimae irae, solo motet for voice, strings & continuo in C minor, RV 626
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Is it possible to speak of a Canadian style in Baroque music? Groups like Toronto's Aradia Ensemble offer an alternative to the fiery performances of the Italians, the smoothness of the northern Europeans, or the bigger-is-better traditional performances the world over. And they put bodies in the seats in Toronto and Montreal. Consider the quartet of soprano and mezzo-soprano soloists in this disc of Vivaldi pieces with choruses and arias. To listeners hooked on the Italians, soprano Carla Huhtanen's take on the first ...

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