Excerpt from Vitruvius and the Greek Stage, Vol. 1 In the earliest theatre there was no proscenium and no stage for actors. Actors and chorus were both in the orchestra and on the same level. Their relations were not changed on the introduction of the scena-buildings and the proscenium. The decorated proscenium was simply the house front before which the action of the piece was laid. Entrances from the house were made through the doors in the proscenium; from else where, both by actors and chorus, through the tripod. In ...
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Excerpt from Vitruvius and the Greek Stage, Vol. 1 In the earliest theatre there was no proscenium and no stage for actors. Actors and chorus were both in the orchestra and on the same level. Their relations were not changed on the introduction of the scena-buildings and the proscenium. The decorated proscenium was simply the house front before which the action of the piece was laid. Entrances from the house were made through the doors in the proscenium; from else where, both by actors and chorus, through the tripod. In the centre of the orchestra was the thymele, consisting of both Bon???s and 313m. The 317114 could be mounted by actors when necessary. The top of the proscenium was used only as the roof of the house. In further support, D6rpfeld shows that the top of the proscenium could not have been a stage for actors, first, because of its narrowness, ' and secondly, because of its height above the orchestra.' Not the slightest evidence can be drawn from the ruins that steps ever existed leading from the orchestra to the top of the proscenium. Such steps would have marred the architectural effect of the proscenium front, would have rendered useless a large portion of the orchestra, and above all would not have allowed that free intermingling of actors and chorus which the dramas demand. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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