The reason for Yeats's fascination with dance became obvious to me when I understood his concept of theatre which was very different from the theatre of his day. He shunned naturalistic theatre - plays based on contemporary ideas and events prevalent in the work of George Bernard Shaw and Oscar Wilde. Yeats wanted his drama to by-pass the intellect, to excite the imagination rather than the mind. He believed that the world of events and ideas was transitory, passing, whereas the reality of the imagination was lasting. He ...
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The reason for Yeats's fascination with dance became obvious to me when I understood his concept of theatre which was very different from the theatre of his day. He shunned naturalistic theatre - plays based on contemporary ideas and events prevalent in the work of George Bernard Shaw and Oscar Wilde. Yeats wanted his drama to by-pass the intellect, to excite the imagination rather than the mind. He believed that the world of events and ideas was transitory, passing, whereas the reality of the imagination was lasting. He wanted his theatre to communicate experiences which were outside the scope of reason, experiences which evoked the "intimacies, ecstasies and anguish of the soul-life." He wanted his theatre to create magic, to be a mystical happening which lured the audience to "the edge of trance." He wanted to create poems without words. Dance was the perfect solution. Through dance he could convey those "intuitive perceptions" that could be comprehended only through the pulses, "in that moment where everything is intelligible in one throb of the artery."
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Add this copy of Two plays for dancers to cart. $5.62, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2015 by Createspace Independent Publishing Platform.
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