From their earliest days as a scruffy punky quartet issuing their debut EP with individually hand-painted covers, Los Angeles' La Santa Cecilia have garnered excitement for their records and storied live gigs, whether playing at home or touring in Mexico. Along with a handful of other Latin alternative rock acts, they have made genre and language boundaries -- regional and international -- elastic, without watering down their own instantly identifiable sound. Treinta Días, the band's major-label debut, is more sophisticated ...
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From their earliest days as a scruffy punky quartet issuing their debut EP with individually hand-painted covers, Los Angeles' La Santa Cecilia have garnered excitement for their records and storied live gigs, whether playing at home or touring in Mexico. Along with a handful of other Latin alternative rock acts, they have made genre and language boundaries -- regional and international -- elastic, without watering down their own instantly identifiable sound. Treinta Días, the band's major-label debut, is more sophisticated and diverse than anything they've previously issued -- but is no less danceable. The original quartet -- vocalist La Marisoul, bassist Alex Bendaña, accordion/requinto player Pepe Carlos, and percussionist Miguel "Oso" Ramírez -- have a handful of killer session guests helping them to flesh things out here. Opener "Nuestra Señora la Reina de Los Angeles" finds La Marisoul wedding gospel to flamenco; Carlos knows that blues is what links them and builds a bridge with his accordion. He gets punchy rhythmic help from percussionist Ramírez, Bendaña, and guest Jeff Babko on B-3 (he plays vibes and trombone elsewhere here). Cumbia meets ranchera and Latin pop in the jaunty "Monedita," a track that, despite its brevity, captures all the complexities of La Marisoul's musical personality. On "Cuchara," cumbia jumps in with banda and rock & roll -- dig Andy Abad's surf guitars! Elvis Costello makes a vocal appearance on "Losing Game." His and La Marisoul's voices are perfectly balanced in this cinematic, souled-out rock and rumba groove. With its organ, electric guitars, and handclaps urging La Marisoul's deep Latin soul vocal (think Alice Russell meets Joe Bataan), "Falling" is driven by reggae and cumbia backbeats, a gospel backing chorus, and Carlos' requinto. Set closer "ICE-El Hielo" (a play on the acronym for the U.S. Department of Immigration and Customs Enforcement) is an understated, moving, and militant bossa that portrays the stresses of everyday life for the undocumented inside the U.S. La Santa Cecilia have embraced North American sounds -- rock, hip-hop, soul, blues, etc. -- grafted them onto musical traditions from the rest of the Americas without watering them down, and have created a bold, bouyant, international pop music. Treinta Días is all killer, no filler. ~ Thom Jurek, Rovi
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Add this copy of Treinta Das to cart. $3.60, good condition, Sold by LeifBooks rated 4.0 out of 5 stars, ships from Georgetown, CO, UNITED STATES, published 2013 by Universal Music.
Add this copy of Treinta D¡as to cart. $14.87, very good condition, Sold by anyswinggoes rated 4.0 out of 5 stars, ships from San Diego, CA, UNITED STATES, published 2013 by Universal Music Latino.
Add this copy of Treinta Das to cart. $16.52, fair condition, Sold by Service First Media rated 5.0 out of 5 stars, ships from Taylorsville, KY, UNITED STATES, published 2013 by Universal Music.
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Seller's Description:
Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, booklet, and back artwork. Disc(s), case, booklet, and back artwork may contain library/security stickers and ink writing. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.
Add this copy of Treinta Días to cart. $34.46, poor condition, Sold by Movie Surplus rated 5.0 out of 5 stars, ships from Mobile, AL, UNITED STATES, published 2013 by Universal Music.
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Seller's Description:
Bendaña/Brant/Carlo; Bendaña/Carlos/Cost; Bendaña/Carlos/Hern. Poor. Used-Acceptable, withdrawn library disc(s) with liner notes. Disc(s) should play great without any playback issues. Disc(s) & liner notes may contain typical library markings like stickers, protective label covers, & writing. Discs may be repackaged in library style casing. Back artwork & any other promo material not included.
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