This book addresses the question of the relationship between psychoanalysis and film, bringing together Lacanian theory and Italian cinema. The author explores the relationship between the Real, the under-represented Lacanian category, and some of the most widely celebrated and lesser-known Italian films of the post-war period.
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This book addresses the question of the relationship between psychoanalysis and film, bringing together Lacanian theory and Italian cinema. The author explores the relationship between the Real, the under-represented Lacanian category, and some of the most widely celebrated and lesser-known Italian films of the post-war period.
Read Less