Harpsichordist Mahan Esfahani has gained a reputation for original programming combined with a gripping technical intensity, and in this respect Time Present and Time Past does not disappoint. Esfahani takes up the common idea of drawing parallels between Baroque and minimalist styles, but he offers unusual material on each end and focuses the listener on individual compositional treatments rather than simply on motor rhythms and broadly sectional construction. On the Baroque end he offers three variation treatments of the ...
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Harpsichordist Mahan Esfahani has gained a reputation for original programming combined with a gripping technical intensity, and in this respect Time Present and Time Past does not disappoint. Esfahani takes up the common idea of drawing parallels between Baroque and minimalist styles, but he offers unusual material on each end and focuses the listener on individual compositional treatments rather than simply on motor rhythms and broadly sectional construction. On the Baroque end he offers three variation treatments of the old "La Follia" ground, by Alessandro Scarlatti, Carl Philipp Emanuel Bach (who manages to work some Sturm und Drang into the picture) and Francesco Geminiani, arranging the work of Vivaldi. The minimalist works fit convincingly with these, and the Harpsichord Concerto, Op. 40 (1980), of Henryk Górecki is a little-heard work whose heavy harpsichord rhythms have a monumental sound. For his own transcription of Steve Reich's Piano Phase, Esfahani plays both piano parts via...
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Add this copy of Time Present and Time Past to cart. $4.24, very good condition, Sold by HPB-Diamond rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2015 by Archiv.
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