These lively and spirited sessions from 1953, 1954, and 1956 show that Ory still had plenty of gas left in the tank and could play tailgate 'bone in the New Orleans style better than anyone. Bouncy and lively, Ory leads three different configurations, pulling in players from all different musical strata (modern jazzers like Barney Kessel and jump blues pianist Lloyd Glenn work comfortably with old-timers like Minor Hall and Wellman Braud), making it all work seamlessly. Highlights include nice takes on old warhorses like ...
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These lively and spirited sessions from 1953, 1954, and 1956 show that Ory still had plenty of gas left in the tank and could play tailgate 'bone in the New Orleans style better than anyone. Bouncy and lively, Ory leads three different configurations, pulling in players from all different musical strata (modern jazzers like Barney Kessel and jump blues pianist Lloyd Glenn work comfortably with old-timers like Minor Hall and Wellman Braud), making it all work seamlessly. Highlights include nice takes on old warhorses like "South Rampart Street Parade," "Bill Bailey," "Creole Love Call," "Milenberg Joys," "Ballin' the Jack," and "Four or Five Times," but the real treat is the Kid's vocal on his own "The Girls Go Crazy." Highly recommended. ~ Cub Koda, Rovi
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Add this copy of This Kid's the Greatest! to cart. $4.44, like new condition, Sold by David Segal rated 5.0 out of 5 stars, ships from Brooklyn, NY, UNITED STATES, published 1992 by Good Time Jazz.
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