This fourth volume of Professor Meyer Schapiro's Selected Papers contains his most important writings--some well-known and others previously unpublished - on the theory and philosophy of art. Schapiro's highly lucid arguments, graceful prose, and extraordinary erudition guide readers through a rich variety of fields and issues: the roles in society of the artist and art, of the critic and criticism; the relationships between patron and artist, psychoanalysis and art, and philosophy and art. Adapting critical methods from ...
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This fourth volume of Professor Meyer Schapiro's Selected Papers contains his most important writings--some well-known and others previously unpublished - on the theory and philosophy of art. Schapiro's highly lucid arguments, graceful prose, and extraordinary erudition guide readers through a rich variety of fields and issues: the roles in society of the artist and art, of the critic and criticism; the relationships between patron and artist, psychoanalysis and art, and philosophy and art. Adapting critical methods from such wide-ranging fields as anthropology, linguistics, philosophy, biology, and other sciences, Schapiro appraises fundamental semantic terms such as "organic style," "pictorial style", "field and vehicle," and "form and content"; he elucidates eclipsed intent in a well-known text by Freud on Leonardo da Vinci, in another by Heidegger on Vincent van Gogh. He reflects on the critical methodology of Bernard Berenson, and on the social philosophy of art in the writings of both Diderot and the nineteenth century French artist/historian Eugene Fromentin. Throughout all of his writings, Meyer Schapiro provides us with a means of ordering our past that is reasoned and passionate, methodical and inventive. In so doing, he revitalizes our faith in the unsurpassed importance of both critical thinking and creative independence.
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Add this copy of Theory and Philosophy of Art: Style, Artist, and to cart. $2.10, very good condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Brownstown, MI, UNITED STATES, published 2005 by George Braziller.
Add this copy of Theory and Philosophy of Art: Style, Artist, and to cart. $2.10, good condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Brownstown, MI, UNITED STATES, published 2005 by George Braziller.
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Add this copy of Theory and Philosophy of Art: Style, Artist, and to cart. $2.10, fair condition, Sold by Open Books Ltd rated 4.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 1994 by George Braziller.
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Fair. Contains some, or all, of the following: highlights, notes, and underlining. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.
Add this copy of Theory and Philosophy of Art: Style, Artist, and to cart. $2.34, good condition, Sold by Open Books Ltd rated 4.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 1994 by George Braziller.
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Add this copy of Theory and Philosophy of Art: Style, Artist, and to cart. $8.50, very good condition, Sold by Bookfeathers LLC rated 5.0 out of 5 stars, ships from Lewisburg, PA, UNITED STATES, published 1994 by George Braziller.
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Near Fine. Book Not ex-lib. Hardcover in white cloth with black stamped titles to spine, no jacket, 8vo. 2nd printing, October 1994. vii + 254pp. Illustrations. Index, endnotes with articles. NF. Light spine slant/cocking toward upper end with no effect on strong, tight binding. Else as new: clean, tight, square and unmarked with very bright cloth and pages.
Add this copy of Theory and Philosophy of Art: Style, Artist, and to cart. $11.95, very good condition, Sold by David Segal rated 5.0 out of 5 stars, ships from Brooklyn, NY, UNITED STATES, published 2005 by George Braziller.
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Very good in good dust jacket. Sewn binding. Cloth over boards. 253 p. Contains: Illustrations. Selected Papers, 4. Audience: General/trade. 1994 hardcover stated 1st printing. Staining on dj, price clipped, gift inscription on ffep, stain and rippling on back ep and last page, soil/foxing on edge, else text clean, binding tight.