The book discusses the political dramas of Samuel Beckett, Harold Pinter and Tom Stoppard regarding their employment of the two critical terms used in its title. It provides a new look at the output of the artists in reference to the employment of the grotesque, justifying their classification together with the East European absurdist playwrights.
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The book discusses the political dramas of Samuel Beckett, Harold Pinter and Tom Stoppard regarding their employment of the two critical terms used in its title. It provides a new look at the output of the artists in reference to the employment of the grotesque, justifying their classification together with the East European absurdist playwrights.
Read Less
