In the recent surge of interest in metre on the part of theorists in different disciplines and of practicing poets, the central issue has been that of variations in the iambic pentameter. Keppel-Jones approaches this subject in a way that somewhat resembles Derek Attridge's, but is in fact very different.
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In the recent surge of interest in metre on the part of theorists in different disciplines and of practicing poets, the central issue has been that of variations in the iambic pentameter. Keppel-Jones approaches this subject in a way that somewhat resembles Derek Attridge's, but is in fact very different.
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