Regina Weinreich explores Kerouac's place in American literature by establishing the tot al design of his work. She con tends that he thought of his works as "one vast book" (a "Divine Comedy of Buddha") he called the Legend of Duluoz. Weinreich finds that Kerouac's linguistic experimen tation leads to a poetic unity rather than the linear unity com monly associated with legends. She discusses the na ture of his "spontaneous bop prosody," relating it to the work of Thomas Wolfe and Henry Miller. In addition to explaining ...
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Regina Weinreich explores Kerouac's place in American literature by establishing the tot al design of his work. She con tends that he thought of his works as "one vast book" (a "Divine Comedy of Buddha") he called the Legend of Duluoz. Weinreich finds that Kerouac's linguistic experimen tation leads to a poetic unity rather than the linear unity com monly associated with legends. She discusses the na ture of his "spontaneous bop prosody," relating it to the work of Thomas Wolfe and Henry Miller. In addition to explaining Kerouac's method, Weinreich seeks to define the unity of his works, from The Town and the City, On the Road, and Visions of Cody to Desolation Angels and Vanity of Duluoz, which she argues brings the legend full circle. Weinreich feels the auto biographical nature of Kerouac's oeuvre links him to other twentieth-century American writers, following a distinctly Whitmanesque tradition.
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Add this copy of The Spontaneous Poetics of Jack Kerouac: a Study of the to cart. $64.47, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1987 by Southern Illinois University P.
