In this iconological study, the author demonstrates the invalidity of the current interpretation of the relief on the so-called Peleus and Thetis sarcophagus in the Villa Albani in Rome, an interpretation which goes back to Winckelmann. By applying a modern art-historical method, he arives at a fundamentally new interpretation. It becomes clear that the splendid sarcophagus in the Villa Albani is highly characteristic of 'academic' art of the Hadrianic era. The unique nature of the representation on the Albani sarcophagus, ...
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In this iconological study, the author demonstrates the invalidity of the current interpretation of the relief on the so-called Peleus and Thetis sarcophagus in the Villa Albani in Rome, an interpretation which goes back to Winckelmann. By applying a modern art-historical method, he arives at a fundamentally new interpretation. It becomes clear that the splendid sarcophagus in the Villa Albani is highly characteristic of 'academic' art of the Hadrianic era. The unique nature of the representation on the Albani sarcophagus, which consists mainly of allegorical figures, makes it an excellent point of entry for the interpretation of mythological scenes applied in a funerary context.
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Add this copy of The So-Called Peleus and Thetis Sarcophagus in the to cart. $26.24, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 1994 by Brill.
Add this copy of The So-Called Peleus and Thetis Sarcophagus in the to cart. $73.00, like new condition, Sold by Ancient World Books rated 4.0 out of 5 stars, ships from Toronto, ON, CANADA, published 1994 by J C Gieben.
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Fine in Fine dust jacket. 9050632467. Iconological Studies in Roman Art, No Iconological Studies in Roman Art, No 1; 0.9 x 8.9 x 6 Inches; 179 pages; In this iconological study, the author demonstrates the invalidity of the current interpretation of the relief on the so-called Peleus and Thetis sarcophagus in the Villa Albani in Rome, an interpretation which goes back to Winckelmann. By applying a modern art-historical method, he arives at a fundamentally new interpretation. It becomes clear that the splendid sarcophagus in the Villa Albani is highly characteristic of ‘academic' art of the Hadrianic era. The unique nature of the representation on the Albani sarcophagus, which consists mainly of allegorical figures, makes it an excellent point of entry for the interpretation of mythological scenes applied in a funerary context.
