Art historians have in the past narrowly defined primitivism, limiting their inquiry to examples of direct stylistic borrowing from African, Oceanic, or Native American imagery. The drawbacks of such an approach have become increasingly apparent, the most problematic being its perpetuation of the notion that certain traditions are indeed "primitive." Frances Connelly argues that "primitive" art was not a style at all, but a cultural construction by modern Europeans, a cluster of concepts principally forged during the ...
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Art historians have in the past narrowly defined primitivism, limiting their inquiry to examples of direct stylistic borrowing from African, Oceanic, or Native American imagery. The drawbacks of such an approach have become increasingly apparent, the most problematic being its perpetuation of the notion that certain traditions are indeed "primitive." Frances Connelly argues that "primitive" art was not a style at all, but a cultural construction by modern Europeans, a cluster of concepts principally forged during the Enlightenment concerning the nature of the origins of artistic expression. She contends that, instead of the paintings of Gauguin, the publication of Vico's New Science in 1725 lies much closer to the origins of primitivism because it first articulated the essential framework of ideas through which Europeans would understand "primitive" expression. Based upon a close reading of eighteenth- and nineteenth-century sources, including voyage accounts, ethnographies, aesthetic theories, and popular journals, The Sleep of Reason establishes that the term "primitive" art did not refer so much to actual stylistic traditions but to a collection of visual attributes that Europeans construed to be universal characteristics of "primitive" expression, specifically the hieroglyph, the grotesque, and the ornamental. Connelly provides case studies of artists and aestheticians who advocated, attempted, or realized the assimilation of these "primitive" characteristics, including some artists never before associated with primitivism as well as significant re-evaluations of Gauguin and Picasso.
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Add this copy of The Sleep of Reason: Primitivism in Modern European Art to cart. $36.53, good condition, Sold by Solr Books rated 5.0 out of 5 stars, ships from Skokie, IL, UNITED STATES, published 1998 by Penn State University Press.
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Good. 1999 printing w/ alt red cover! ! There is heavy writing/highlighting throughout the book. The cover has visible markings and wear. Some corner dings. Slight yellowing. This is a paperback copy Fast Shipping-Each order powers our free bookstore in Chicago and sending books to Africa!
Add this copy of The Sleep of Reason: Primitivism in Modern European Art to cart. $64.01, good condition, Sold by Websters Bookstore Cafe rated 5.0 out of 5 stars, ships from State College, PA, UNITED STATES, published 1994 by Penn State University Press.
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Add this copy of The Sleep of Reason: Primitivism in Modern European Art to cart. $84.21, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1999 by The Pennsylvania State Univers.
