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The Second Practice of Nineteenth-Century Tonality

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The Second Practice of Nineteenth-Century Tonality - Kinderman, William (Editor), and Krebs, Harald (Editor)
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In 1861, a half-century before Arnold Schoenberg's break with tonality, a young composer associated with Liszt saw a threshold to musical modernism as lodged in the "suspension of the main key." As the unified tonal perspective of earlier music yielded increasingly to dualistic key structures often laden with chromaticism, the language of music was transformed. In "The Second Practice of Nineteenth-Century Tonality," nine prominent theorists and historians explore aspects of this musical evolution, from Schubert to the end ...

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The Second Practice of Nineteenth-Century Tonality 1996, University of Nebraska Press, Lincoln, NE

ISBN-13: 9780803227248

Hardcover