This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1919 edition. Excerpt: ... phantom sound. Our latest investigations prove that this resultant or phantom tone may have a considerable number of locations, each of which can be predicted with precision on the basis of wave phase relations. That is, the phantom sound shifts its position in a predictable way for different ...
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1919 edition. Excerpt: ... phantom sound. Our latest investigations prove that this resultant or phantom tone may have a considerable number of locations, each of which can be predicted with precision on the basis of wave phase relations. That is, the phantom sound shifts its position in a predictable way for different positions of the listener. Another expression of the same principle is the phenomenon that, for a given position of the listener, a phantom sound will move in a predictable course with variation in its pitch. When we combine three, four, or more notes into a chord, the complexity of the situation increases in geometric ratio. Harmonic blends result in phantom sounds. The most important integrating tendency is, however, the tendency of two or more tones to fuse into one undifferentiated clang in the same manner as a harmonic series of overtones blends into a unitary, but rich tone. Summary. Thus, when two violin tones are sounded together, we encounter, on the one hand, the fact of actual disintegration by considering overtones, and combination tones in addition to the two fundamental clangs; on the other hand, we integrate by accepting the fusion of overtones, the fusion of consonant tones, the unification of identical tones from various sources, and the tendency to neglect the combination tones because lacking in objectivity. III. Nature Of Consonance Definition. The sense of consonance is the natural capacity for hearing differences in consonance and dissonance. It is the basic power that underlies the ability to judge aesthetic effects in combinations of tones, as in harmony. It is, therefore, an index to precision in an aesthetic judgment of sensory impressions. We speak of consonance and dissonance with reference to two-clangs. A two-clang is...
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Add this copy of The Psychology of Musical Talent, (Beverley Educational to cart. $15.00, very good condition, Sold by Library Market rated 5.0 out of 5 stars, ships from Waynesville, OH, UNITED STATES, published 1919 by Silver, Burdett and Company.
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Add this copy of The Psychology of Musical Talent to cart. $42.59, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 2022 by Legare Street Press.
