Excerpt from The Oxford History of Music, Vol. 3: The Music of the Seventeenth Century The seventeenth century is, musically, almost a blank, even to those who take more than the average interest in the Art; and barely a score of composers' names during the whole time suggest anything more than a mere reputa tion to modern ears. But this is by no means owing to neglect of the Art, or lack of musical energy and enterprise. There was fully as much activity in musical production throughout the century as at other times; and ...
Read More
Excerpt from The Oxford History of Music, Vol. 3: The Music of the Seventeenth Century The seventeenth century is, musically, almost a blank, even to those who take more than the average interest in the Art; and barely a score of composers' names during the whole time suggest anything more than a mere reputa tion to modern ears. But this is by no means owing to neglect of the Art, or lack of musical energy and enterprise. There was fully as much activity in musical production throughout the century as at other times; and lovers of the Art were quite under the impression that the music of their time would compare favourably with that of other times, and impress those that came after as much as it impressed themselves. The event proved it singularly short lived: and intrinsically most of it seems to casual observers little better than an archaeological curiosity. Yet to those whose sympathies extend a little further than their everyday acquaintance it is capable of being not only very interesting but widely suggestive. It is interesting to seek for the reasons of its appearing adequate to the people of its time, while it appears so slender and inadequate to those that come after; and it is suggestive of essential but rarely comprehended facts in relation to the very nature of Art and its place in the scheme of human things, to trace the manner in which the slenderest beginnings, manifested during the century, served as the foundations of all the most important and comprehensive forms of. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Read Less
Add this copy of The Oxford History of Music, Vol 3 the Music of the to cart. $27.47, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2019 by Forgotten Books.
Add this copy of The Oxford History of Music, Vol 3 the Music of the to cart. $36.81, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2019 by Forgotten Books.
Add this copy of The Oxford History of Music, Vol. 3 (Classic Reprint): to cart. $49.50, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2018 by Forgotten Books.
Add this copy of The Oxford History of Music, Vol. 3: the Music of the to cart. $64.16, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2018 by Forgotten Books.