The History of the United States from 1492 to 1910, Volume 1 By Julian Hawthorne INTRODUCTION When we speak of History, we may mean either one of several things. A savage will make picture-marks on a stone or a bone or a bit of wood; they serve to recall to him and his companions certain events which appeared remarkable or important for one or another reason; there was an earthquake, or a battle, or a famine, or an invasion: the chronicler himself, or some fellow-tribesman of his, may have performed some notable exploit. ...
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The History of the United States from 1492 to 1910, Volume 1 By Julian Hawthorne INTRODUCTION When we speak of History, we may mean either one of several things. A savage will make picture-marks on a stone or a bone or a bit of wood; they serve to recall to him and his companions certain events which appeared remarkable or important for one or another reason; there was an earthquake, or a battle, or a famine, or an invasion: the chronicler himself, or some fellow-tribesman of his, may have performed some notable exploit. The impulse to make a record of it was natural: posterity might thereby be informed, after the chronicler himself had passed away, concerning the perils, the valor, the strange experiences of their ancestors. Such records were uniformly brief, and no attempt was made to connect one with another, or to interpret them. We find such fragmentary histories among the remains of our own aborigines; and the inscriptions of Egypt and Mesopotamia are the same in character and intention, though more elaborate. Warlike kings thus endeavored, from motives of pride, to perpetuate the memory of their achievements. At the time when they were inscribed upon the rock, or the walls of the tombs, or the pedestals of the statues, they had no further value than this. But after the lapse of many ages, they acquire a new value, far greater than the original one, and not contemplated by the scribes. They assume their proper place in the long story of mankind, and indicate, each in its degree, the manner and direction of the processes by which man has become what he is, from what he was. Thereby there is breathed into the dead fact the breath of life; it rises from its tomb of centuries, and does its appointed work in the mighty organism of humanity. In a more complex state of society, a class of persons comes into being who are neither protagonists, nor slaves, but observers; and they meditate on events, and seek to fathom their meaning. If the observer be imaginative, the picturesque side of things appeals to him; he dissolves the facts, and recreates them to suit his conceptions of beauty and harmony; and we have poetry and legend. Another type of mind will give us real histories, like those of Herodotus, Thucydides, Tacitus and Livy, which are still a model in their kind. These great writers took a broad point of view; they saw the end from the beginning of their narrative; they assigned to their facts their relative place and importance, and merged them in a pervading atmosphere of opinion, based upon the organic relation of cause and effect. Studying their works, we are enabled to discern the tendencies and developments of a race, and to note the effects of civilization, character, vice, virtue, and of that sum of them all which we term fate. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
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