This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1907 edition. Excerpt: ... CHAPTER VII Sbafteepeare's tmmlet Shakespeaee was not a ready inventor of incident. He took full advantage of the Elizabethan license of borrowing, and adopted ready-made plots wherever he found them. He made alterations, of course; but they were usually slight. In the story of Silvia, and again in ...
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1907 edition. Excerpt: ... CHAPTER VII Sbafteepeare's tmmlet Shakespeaee was not a ready inventor of incident. He took full advantage of the Elizabethan license of borrowing, and adopted ready-made plots wherever he found them. He made alterations, of course; but they were usually slight. In the story of Silvia, and again in the story of Hermione, he twisted tragedy into comedy, while in King Lear he turned a happy ending into wholesale tragedy; but in general his changes were less revolutionary. The making of plot-material was not his business. What he did feel to be his business was the realization of character. His original provided him with a good story, but the characters were often no more than puppets. Stirring deeds were done, but as to what manner of men did them the older writers were apt to be noncommittal. Giraldi's Iago and Holinshed's Macbeth are men of straw. Shakespeare's task was to retell Giraldi's story and Holinshed's history, and in the retelling to make Macbeth and Iago live. Perhaps he consciously put the question to himself, "What kind of men must these have been, to do as they did?" At any rate, it is by imagining him to put such a question that we can most easily revive in our own minds his processes of creation. By these processes he made new and original characters; but the materials of which he made them were his borrowed plots. In Hamlet, therefore, it does not surprise us to discover that almost all the plot was old. Shakespeare would be especially sparing of invention when he was not newly dramatizing fiction or history, but only remodeling material already dramatized. In such cases he always retained the main outlines of his original, sometimes even minute details of the scenario. He was content to put new wine in the old bottles....
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Add this copy of The Genesis of Hamlet to cart. $20.00, very good condition, Sold by Between the Covers-Rare Books rated 5.0 out of 5 stars, ships from Gloucester City, NJ, UNITED STATES, published 1907 by Henry Holt and Company.
Add this copy of The Genesis of Hamlet to cart. $20.00, good condition, Sold by G. J. Askins - Bookseller rated 5.0 out of 5 stars, ships from New Lebanon, NY, UNITED STATES, published 1907 by Henry Holt and Co..
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Seller's Description:
Good. No Jacket. 5 x 7 1/2. 122 pages. Foreword by Tucker Brooke. Blue cloth exterior with title in gold on front-title block and gold crest slightly chipped. Prior owner name on front free endpaper otherwise interior is unmarked, tight and clean.
Add this copy of The Genesis of Hamlet to cart. $33.36, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2009 by Cornell University Library.
Add this copy of The Genesis of Hamlet to cart. $54.95, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2016 by Palala Press.
