Daniel Defoe's 1722 novel, 'Moll Flanders, ' remains a fascinating imaginative work, and is in many ways more interesting than his famous first effort, 'Robinson Crusoe.' Having seen bits of two recent film adaptations in the last couple of months on television, and being a budding 18th century scholar, I decided it was time I picked up my own copy of 'Moll Flanders' and see the actual product on its own terms. A story no less about a castaway and delinquent than 'Crusoe, ' in 'Moll Flanders, ' Defoe attempts to set down ...
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Daniel Defoe's 1722 novel, 'Moll Flanders, ' remains a fascinating imaginative work, and is in many ways more interesting than his famous first effort, 'Robinson Crusoe.' Having seen bits of two recent film adaptations in the last couple of months on television, and being a budding 18th century scholar, I decided it was time I picked up my own copy of 'Moll Flanders' and see the actual product on its own terms. A story no less about a castaway and delinquent than 'Crusoe, ' in 'Moll Flanders, ' Defoe attempts to set down the history of a woman with a wild and often desperate life. A character of infinitely more interiority and reflection than Crusoe, Moll gives us through a first person narrative, a look into various stations of life in 18th century England and America. The novel begins with a tip of the hat to that fine progenitor of the novel, 'Don Quixote, ' a Gines-like acknowledgment that Moll, as the author of her own story, cannot complete that story within the text of the novel, unless people can write when they are deceased. Amusements aside, Moll begins her story as Crusoe begins his, with an immediate acknowledgment of the instability of the modern self - the corruption of her own name. Born in Newgate prison, and having never known her mother, Moll finds herself among gypsies and landed gentry before settling in Colchester for the term of her youth. Here, she founds her sense of social ambition, unusual even for Jane Eyre in the 19th century, as one in which she figures to be a gentlewoman by earning her own living. Various mishaps and misadventures lead her through marriages, whoredom, and thievery as Moll attempts to find her place in the world as a woman of common birth. Early on she learns the lessons that will aid her on her journey, viz., the value of money, quick wit, and a sense of her own sexuality. While Defoe certainly does not sugar-coat the wrongs of woman in the early 18th century - delving deeply into issues of feminine helplessness before the law, the difficulties of procuring stable employment, and various reproductive issues such as adoption, abortion, and infant mortality - yet he maintains a consistent character of Moll as an extremely strong, adaptive, and resilient female character. The most riveting facet of Moll throughout is her own sense of self-worth and importance, especially in her own history. For instance, while chronicling an encounter with a former lover, Moll tells us that while his adventures are worth their own narrative, this is 'my story, not his.' Moll's strength in the midst of doubt, desperation, and general loneliness keeps the reader's constant interest and admiration. Defoe's exploration of inter-gender relationships are worthy of note themselves for the sheer variety of social, economic, and personal situations he includes in the novel. The economic theme stands out among these, and provides a link back to the preoccupations of 'Robinson Crusoe.' Like Crusoe, Moll is always aware of the value of her personal possessions, and conscious of how to exploit and husband her resources to best advantage. Also like Crusoe, 'Moll Flanders' is keenly aware of the possibilities and drawbacks of English colonial ventures in America. Defoe's efforts to link all these themes to the lot of the English prison population, the family unit, and indentured servants and African slaves, are all managed extremely well within the text of the novel. For all this, 'Moll Flanders' remains an entertaining, satisfying, relevant novel, and stands for me above 'Crusoe' as a work of high literary value.
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