Why did poets continue to call themselves singers, and their poems songs, long after the formal link between poetry and music had been severed? Daniel Karlin explores the origin and meaning of the 'figure of the singer', tracing its roots in classical mythology and in the Bible, and following its rise from the 'adventurous song' of Milton's Paradise Lost to its apotheosis in the nineteenth century-by which time it had also become an oppressive clich???. Poets might embrace, or resist, this dominant figure of their art, but ...
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Why did poets continue to call themselves singers, and their poems songs, long after the formal link between poetry and music had been severed? Daniel Karlin explores the origin and meaning of the 'figure of the singer', tracing its roots in classical mythology and in the Bible, and following its rise from the 'adventurous song' of Milton's Paradise Lost to its apotheosis in the nineteenth century-by which time it had also become an oppressive clich???. Poets might embrace, or resist, this dominant figure of their art, but could not ignore it. Shadowing the metaphor is another figure, that of the literal singer, a source of fascination, and rivalry, to poets who are confined to words on the page. The book opens with an emblematic figure of the greatest of all 'singers': Homer, playing his lyre, at the centre of the frieze of poets on the Albert Memorial in London. Chapters on the tragicomic rise and fall of 'the bard', on the link between female song and suffering, and on the metaphor of poetry as birdsong, are followed by detailed readings of poems by Tennyson, Robert Browning, Elizabeth Barrett Browning, Walt Whitman, and Thomas Hardy. The final chapter, on the songs of Bob Dylan, suggests that recording technology has given fresh impetus to the quarrel (which is also a love-affair) between poetic language and song. The Figure of the Singer offers a profound and stimulating analysis of the idea of poetry as song and of the complex, troubled relations between voice and text
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Add this copy of The Figure of the Singer to cart. $18.00, like new condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2013 by Oxford University Press.
Add this copy of The Figure of the Singer to cart. $18.00, very good condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2013 by Oxford University Press.
Add this copy of The Figure of the Singer to cart. $51.38, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2013 by Oxford University Press.
Add this copy of The Figure of the Singer to cart. $58.16, new condition, Sold by Prior Books rated 5.0 out of 5 stars, ships from Cheltenham, GLOUCESTERSHIRE, UNITED KINGDOM, published 2013 by Oxford University Press.
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Seller's Description:
New in New jacket. Size: 9x0x6; Dark red hardback with gilt lettered spine, complete with original dustjacket. In new condition: firm and square with strong joints, no bumps, no rubs. Contents are crisp, tight and clean; no pen-marks. Thus a very nice copy that looks and feels unread, now offered for sale at a very reasonable price.
Add this copy of The Figure of the Singer to cart. $61.18, new condition, Sold by Media Smart rated 4.0 out of 5 stars, ships from Hawthorne, CA, UNITED STATES, published 2013 by Oxford University Press OUP.
Add this copy of The Figure of the Singer to cart. $130.50, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2013 by OUP Oxford.
