"The End of Landscape in Nineteenth-Century America examines the dissolution of landscape painting in the late nineteenth-century United States. Focusing on the unorthodox artworks of four painters--Albert Bierstadt, Martin Johnson Heade, Ralph Blakelock, and Abbott Thayer--Maggie M. Cao proposes a new way of thinking about these artists' unexpected interventions and how they challenged, mourned, or revised the conventions of landscape painting, a major cultural project for nineteenth-century Americans. Through rich ...
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"The End of Landscape in Nineteenth-Century America examines the dissolution of landscape painting in the late nineteenth-century United States. Focusing on the unorthodox artworks of four painters--Albert Bierstadt, Martin Johnson Heade, Ralph Blakelock, and Abbott Thayer--Maggie M. Cao proposes a new way of thinking about these artists' unexpected interventions and how they challenged, mourned, or revised the conventions of landscape painting, a major cultural project for nineteenth-century Americans. Through rich analysis of artworks at the genre's unsettling limits, Cao shows that landscape played a crucial role in the American encounter with modernity and was the genre through which American art most urgently sought to come to terms with the modern world"--Provided by publisher.
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Add this copy of The End of Landscape in Nineteenth-Century America to cart. $60.00, very good condition, Sold by Chaparral Books rated 5.0 out of 5 stars, ships from Portland, OR, UNITED STATES, published 2018 by University of California Press.
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Very Good in Very Good jacket. Size: 7x0x10; The binding is tight, corners sharp. Text and images unmarked. The dust jacket shows some very light handling, in a mylar cover. 8vo large. xi, 261pp.
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