In this illuminating book, art historian Thomas Puttfarken examines how pictorial composition and attitudes toward it changed between the early Renaissance and the beginning of the nineteenth century. Before 1600, a paintings overall composition was hardly ever discussed. As far as art theory and criticism were concerned, pictorial composition was a "discovery" of the seventeenth century, the author explains. In the first part of the book, Puttfarken investigates why pictorial composition did not figure in earlier accounts ...
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In this illuminating book, art historian Thomas Puttfarken examines how pictorial composition and attitudes toward it changed between the early Renaissance and the beginning of the nineteenth century. Before 1600, a paintings overall composition was hardly ever discussed. As far as art theory and criticism were concerned, pictorial composition was a "discovery" of the seventeenth century, the author explains. In the first part of the book, Puttfarken investigates why pictorial composition did not figure in earlier accounts of the art. In Italy artists and patrons focused on large-scale wall paintings or altarpieces and on the presentation of life-size saints or protagonists whose physical proportions and interactions in narratives were considered more important than notions of overall effect or pictorial format. The second part of the book discusses the discovery of composition and Its consequences for both the theory and practice of painting, understood as the production of tableaux, or easel pictures. Puttfarken considers the effects on paintings of size, location, perspective, and relief, the relationship between ground and figures and between image and frame, and the different traditions defining Italian and Northern art. For readers with an interest in the theory and history of European art, this book is full of rich insights and fresh analyses.
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Add this copy of The Discovery of Pictorial Composition: Theories of to cart. $79.00, like new condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2000 by Yale University Press.
Add this copy of The Discovery of Pictorial Composition: Theories of to cart. $89.00, very good condition, Sold by BARNABY rated 5.0 out of 5 stars, ships from Oxford, OXFORDSHIRE, UNITED KINGDOM, published 2000 by Yale University Press.
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Very Good Condition. An excellent copy in great condition. Only faint wear to cover. Internally, clean and fresh, with unmarked and uncreased pages. Publisher's note: Before 1600, a painting's overall composition was hardly ever discussed. Attitudes toward pictorial composition changed between the early Renaissance and the early 19th century. The author investigates this change Size: 26.7 x 20.3 x 3.2 cm. viii, 332 pp. Shipped Weight: 1-2 kilos. Category: Art & Design; Painting--Technique; Composition (Art); ISBN: 0300081561. ISBN/EAN: 9780300081565. Add. Inventory No: 231116CMP011020.
Add this copy of The Discovery of Pictorial Composition: Theories of to cart. $125.00, like new condition, Sold by Broad Street Books rated 5.0 out of 5 stars, ships from Branchville, NJ, UNITED STATES, published 2000 by Yale University Press.
Add this copy of The Discovery of Pictorial Composition: Theories of to cart. $125.00, very good condition, Sold by Argosy Book Store rated 5.0 out of 5 stars, ships from New York, NY, UNITED STATES, published 2000 by Yale University Press.
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Near fine in very good(+) jacket. Color and black & white reproductions throughout. viii, 332 pages. Small 4to, green cloth with gilt lettering at spine, pictorial d.w. New Haven: Yale University Press, (2000). A near fine copy in a very good(+) dust wrapper.
Add this copy of The Discovery of Pictorial Composition-Theories of to cart. $130.04, very good condition, Sold by Halcyon Books rated 4.0 out of 5 stars, ships from LONDON, LONDON, UNITED KINGDOM, published 2000 by Yale University Press.
Add this copy of The Discovery of Pictorial Composition? Theories of to cart. $135.14, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2000 by Yale University Press.
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Like New. Condition: Near Fine; Hardcover in dustjacket. First Edition. Condition is Near Fine in a Fine dustjacket. Book has clean covers and a square, tight binding. Jacket clean and bright without flaws.
Add this copy of The Discovery of Pictorial Composition: Theories of to cart. $155.80, good condition, Sold by Alibris rated 5.0 out of 5 stars, ships from NV, USA, published 2000 by Yale University Press.
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Add this copy of The Discovery of Pictorial Composition: Theories of to cart. $217.11, very good condition, Sold by 84 Charing Cross Road Books rated 5.0 out of 5 stars, ships from Cambridge, CAMBS, UNITED KINGDOM, published 2000 by Yale University Press.
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Collectable-Very Good Condition in Near Fine jacket. 9780300081565. Painting Technique. Near Fine/Near Fine 1st ed 2000 Yale hardback, unclipped DJ, profusely illustrated high quality edition. Previous owner name to fly-leaf corner, light edge-rub to DJ, VG+ bright and unmarked throughout. Size: cm. 288 pages. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Painting Technique; ISBN: 0300081561. ISBN/EAN: 9780300081565. Dewey Code: 750/.1/8. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 082681.