Looking at the work without novelistic expectations of the illusion of some keyto unlock the mystery, Norris explores Joyce's rationale for committing his last human panorama--a bit sadder than Ulysses in its concern with aging, killing, and dying--to a form and language belonging to the deconstructive forces of the twentieth century.
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Looking at the work without novelistic expectations of the illusion of some keyto unlock the mystery, Norris explores Joyce's rationale for committing his last human panorama--a bit sadder than Ulysses in its concern with aging, killing, and dying--to a form and language belonging to the deconstructive forces of the twentieth century.
Read Less
