The Classic Point of View: Six Lectures on Painting, Delivered on the Scammon Foundation at the Art Institute of Chicago in the Year 1911 (Classic Reprint)
The Classic Point of View: Six Lectures on Painting, Delivered on the Scammon Foundation at the Art Institute of Chicago in the Year 1911 (Classic Reprint)
Excerpt from The Classic Point of View: Six Lectures on Painting, Delivered on the Scammon Foundation at the Art Institute of Chicago in the Year 1911 I have therefore welcomed the opportunity afforded by theinvitation from The Art Institute Of Chicago to deliver the Scammon Lectures for 1911 to draw up a definitive credo - a detailed and explicit confession Of artistic faith. The following pages will, accordingly, be found to con tain a statement, as clear as I can make it, Of what one painter believes and hopes and fears ...
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Excerpt from The Classic Point of View: Six Lectures on Painting, Delivered on the Scammon Foundation at the Art Institute of Chicago in the Year 1911 I have therefore welcomed the opportunity afforded by theinvitation from The Art Institute Of Chicago to deliver the Scammon Lectures for 1911 to draw up a definitive credo - a detailed and explicit confession Of artistic faith. The following pages will, accordingly, be found to con tain a statement, as clear as I can make it, Of what one painter believes and hopes and fears with regard to painting; Of what he takes to be the malady Of modern art, and Of where he looks for the remedy for it. It would be little less than miraculous if such a statement Of be lief should contain the truth, the whole truth, and nothing but the truth. It must contain errors, and may contain wrongheadedness. At least it is an honest attempt at a contribution to the truth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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