A hysterically scathing first novel about ambition and its discontents. Frank Bones is a self-destructive, take-no-prisoners, bad boy comic whose recent stage stunt with a firearm has cost him his audience and his bookings. Back at the bottom rung, Frank has no choice but to take his gigs where he can get them until, by virtue of a Hollywood miracle, he gets a call from his manager. A network has offered Frank his own sitcom, but there's only one problem with this long-awaited shot at success: Frank has to play an Eskimo, ...
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A hysterically scathing first novel about ambition and its discontents. Frank Bones is a self-destructive, take-no-prisoners, bad boy comic whose recent stage stunt with a firearm has cost him his audience and his bookings. Back at the bottom rung, Frank has no choice but to take his gigs where he can get them until, by virtue of a Hollywood miracle, he gets a call from his manager. A network has offered Frank his own sitcom, but there's only one problem with this long-awaited shot at success: Frank has to play an Eskimo, and ride an animatronic walrus. Desperate, Frank calls on Lloyd Melnick, a long lost acquaintance whose position on the smash hit The Fleishman Show has made him the hottest comedy writer in town-even though he has never actually written a single episode. If Lloyd signs on as the head writer, Frank can have any kind of show he wants. But Lloyd is tired of his gilded trappings-the network job, the Brentwood mansion-and his social-climbing wife has left him mystified and unmoored. He would trade it all in for just a sliver of Frank's notorious recklessness or artistic integrity. When Lloyd turns Frank down, the consequences involve a crashed Hummer, corrupt police officers, enraged ex-husbands, sultry bartenders, and high-speed chases to Mexico and back. A brilliant satire, The Bones is a stunning debut that reveals, in all its hilarity and ache, the dark heart of comedy.
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