This is the final part of a critical trilogy that explores cinema in the latter half of the twentieth century. It fuses analysis of objective form with a subsequent critique of subjective form, and reassesses the close ties of the aesthetic and the political right up to today.
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This is the final part of a critical trilogy that explores cinema in the latter half of the twentieth century. It fuses analysis of objective form with a subsequent critique of subjective form, and reassesses the close ties of the aesthetic and the political right up to today.
Read Less
