The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Now Diana Donald presents the first major study of these caricatures, which challenges many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda as subtle and eloquent as the written word. Donald analyzes the meanings of the prints, applying current perspectives on the eighteenth century ...
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The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Now Diana Donald presents the first major study of these caricatures, which challenges many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda as subtle and eloquent as the written word. Donald analyzes the meanings of the prints, applying current perspectives on the eighteenth century about the changing roles of women and constructions of gender, the alleged rise of a consumer society, the growth of political awareness outside aristocratic circles, and the problems of defining class values in the later Georgian era. She discusses, for example, the social position of the Georgian satirist within the hierarchy of high and low art production; the relation between the shifting styles of political prints and the antagonisms of different political cultures; caricatures of fashion as expressions of ambivalent attitudes to luxury and high society; treatment of the crowd in the prints and the light this sheds on the myth of the freeborn Englishman; and what caricatures reveal about British reactions to the French Revolution in the 1790s. Donald concludes by describing the demise of the Georgian satirical print in the early nineteenth century, which she attributes in part to the new and urgent political purposes of radicals in the post-Napoleonic era. Illustrated with works by Gillray, Rowlandson, and other artists, many of which have never been published before, the book will be an enlightening and enjoyable reference for scholars and the general reader. Published for the Paul Mellon Center for Studies in British Art
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Add this copy of The Age of Caricature: Satirical Prints in the Reign of to cart. $8.50, very good condition, Sold by HPB-Movies rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1998 by Paul Mellon Centre.
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Add this copy of The Age of Caricature: Satirical Prints in the Reign of to cart. $8.94, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 1998 by Paul Mellon Centre BA.
Add this copy of The Age of Caricature: Satirical Prints in the Reign of to cart. $17.50, like new condition, Sold by Ray Boas, Bookseller rated 5.0 out of 5 stars, ships from Walpole, NH, UNITED STATES, published 1996 by Yale University Press.
Add this copy of The Age of Caricature: Satirical Prints in the Reign of to cart. $22.50, very good condition, Sold by Priceless Books rated 4.0 out of 5 stars, ships from Urbana, IL, UNITED STATES, published 1998 by Yale U..
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Very good. Trade paperback (US). Glued binding. 256 p. Paul Mellon Centre for Studies in British Art. Audience: General/trade. 248pp. Corners & ends of spine lightly rubbed & bumped; light soiling on edges. Illus.; endnotes; index.
Add this copy of The Age of Caricature: Satirical Prints in the Reign of to cart. $25.00, very good condition, Sold by Chaparral Books rated 5.0 out of 5 stars, ships from Portland, OR, UNITED STATES, published 1996 by Paul Mellon Centre.
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Very Good. Size: 11x8x0; Crisp, unread, unmarked copy. The binding is clean and tight with light bumping to tail. Tiny corner creases to a few pages. 4to. 248pp.
Add this copy of The Age of Caricature: Satirical Prints in the Age of to cart. $25.00, good condition, Sold by BARNABY rated 5.0 out of 5 stars, ships from Oxford, OXFORDSHIRE, UNITED KINGDOM, published 1996 by Published for the Paul Mellon Centre for Studies in British Art by Yale....
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Good Condition. Cover a little rubbed and marked. Internally clean and bright, with uncreased pages. A good used copy with no significant flaws. Publisher's note: The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Now Diana Donald presents the first major study of these caricatures, which challenges many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda as subtle and eloquent as the written word. Donald analyzes the meanings of the prints, applying current perspectives on the eighteenth century about the changing roles of women and constructions of gender, the alleged rise of a consumer society, the growth of political awareness outside aristocratic circles, and the problems of defining "class" values in the later Georgian era. She discusses, for example, the social position of the Georgian satirist within the hierarchy of high and low art production; the relation between the shifting styles of political prints and the antagonisms of different political cultures; caricatures of fashion as expressions of ambivalent attitudes to luxury and "high society"; treatment of the crowd in the prints and the light this sheds on the myth of the freeborn Englishman; and what caricatures reveal about British reactions to the French Revolution in the 1790s. Donald concludes by describing the demise of the Georgian satirical print in the early nineteenth century, which she attributes in part to the new and urgent political purposes of radicals in the post-Napoleonic era. Illustrated with works by Gillray, Rowlandson, and other artists, many of which have never been published before, the book will be an enlightening and enjoyable reference for scholars and the general reader. viii, 248 pages. Shipped Weight: 1-2 kilos. Category: Art & Design; Caricatures and cartoons; Criticism, interpretation, etc; English wit and humor, Pictorial; English wit and humor, Pictorial 18th century; ISBN: 0300071787. ISBN/EAN: 9780300071788. Add. Inventory No: 240323SWG003010.
Add this copy of The Age of Caricature: Satirical Prints in the Reign of to cart. $26.69, good condition, Sold by Anybook rated 4.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1997 by Yale University Press.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1150grams, ISBN: 9780300071788.
Add this copy of The Age of Caricature: Satirical Prints in the Reign of to cart. $28.46, very good condition, Sold by ThriftBooks-Reno rated 5.0 out of 5 stars, ships from Reno, NV, UNITED STATES, published 1996 by Paul Mellon Centre for Studies in British Art.
Add this copy of The Age of Caricature: Satirical Prints in the Reign of to cart. $28.47, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1996 by Paul Mellon Centre.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Add this copy of The Age of Caricature: Satirical Prints in the Reign of to cart. $28.48, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1996 by Paul Mellon Centre.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
