A professor of theater arts shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's". In this attempt to account for cinematic intellegibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.
Read More
A professor of theater arts shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's". In this attempt to account for cinematic intellegibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.
Read Less
