"Text/Countertext: Postmodern Paranoia in Samuel Beckett, Doris Lessing, and Philip Roth" analyzes the psychological and structural dynamic of three postmodern novels: Samuel Beckett's "Malone Dies." Doris Lessing's "The Golden Notebook," and Philip Roth's "The Counterlife." Storytelling becomes here the dangerous activity of a guilty outsider who has come to expect hostile disapproval from all quarters. The result is a sadomasochistic confrontation between these postmodern writers and their imagined audiences: the pleasure ...
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"Text/Countertext: Postmodern Paranoia in Samuel Beckett, Doris Lessing, and Philip Roth" analyzes the psychological and structural dynamic of three postmodern novels: Samuel Beckett's "Malone Dies." Doris Lessing's "The Golden Notebook," and Philip Roth's "The Counterlife." Storytelling becomes here the dangerous activity of a guilty outsider who has come to expect hostile disapproval from all quarters. The result is a sadomasochistic confrontation between these postmodern writers and their imagined audiences: the pleasure of storytelling is linked to the pain the authors inflict upon their readers in retaliation for their anticipated disapproval. The structural consequence is -serial negation- - the constant agonistic oscillation between text and countertext, reflecting the authors' determined efforts to sidestep criticism and maintain artistic control."
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Add this copy of Text/Countertext: Postmodern Paranoia in Samuel Beckett to cart. $104.35, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1997 by Peter Lang Inc., International.
