Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art
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This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.
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This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.
Read Less