Black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with TV as a child in the Boston suburbs to examine how televisual representations of African Americans--ranging from I Love Lucy to How to Get Away with Murder --have changed over the last sixty years.
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Black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with TV as a child in the Boston suburbs to examine how televisual representations of African Americans--ranging from I Love Lucy to How to Get Away with Murder --have changed over the last sixty years.
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Add this copy of Technicolored: Reflections on Race in the Time of Tv (a to cart. $10.48, very good condition, Sold by Half Price Books Inc rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2018 by Duke University Press Books.
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Add this copy of Technicolored: Reflections on Race in the Time of TV to cart. $39.94, new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2018 by Duke University Press.
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New. Trade paperback (US). Glued binding. 352 p. Contains: Illustrations. Camera Obscura Book. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Technicolored: Reflections on Race in the Time of Tv (a to cart. $39.95, new condition, Sold by michael diesman rated 3.0 out of 5 stars, ships from Flushing, NY, UNITED STATES, published 2018 by Duke University Press Books.
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New. pp. 352. Brand New, Still Sealed In Publisher's Shrink Wrap. From Early Sitcoms Such As I Love Lucy To Contemporary Prime-Time Dramas Like Scandal And How To Get Away With Murder, African Americans On Television Have Too Often Been Asked To Portray Tired Stereotypes Of Blacks As Villains, Vixens, Victims, And Disposable Minorities. In Technicolored Black Feminist Critic Ann Ducille Combines Cultural Critique With Personal Reflections On Growing Up With The New Medium Of Tv To Examine How Televisual Representations Of African Americans Have Changed Over The Last Sixty Years. Whether Explaining How Watching Shirley Temple Led Her To Question Her Own Self-Worth Or How Televisual Representation Functions As A Form Of Racial Profiling, Ducille Traces The Real-Life Social And Political Repercussions Of The Portrayal And Presence Of African Americans On Television. Neither A Conventional Memoir Nor A Traditional Media Study, Technicolored Offers One Lifelong Television Watcher's Careful, Personal, And Timely Analysis Of How Television Continues To Shape Notions Of Race In The American Imagination.
