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Te Deum: Charpentier & Lully - Capella Cracoviensis; Le Poème Harmonique; Vincent Dumestre (conductor)
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  1. Te Deum, motet for 8 voices, chorus & orchestra, H. 146
  2. Te Deum, motet for double chorus & orchestra, LWV 55
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The large-scale sacred music of the French court remains among the most neglected repertories of the Baroque era. Here's an excellent place to start with it. The Te Deum, the quintessential Catholic hymn of praise, was a favored text for big moments at court, and the two examples here must be among the finest. Jean-Baptiste Lully's Te Deum, LWV 55, during whose premiere the composer fatally stabbed himself in the foot with a staff, was composed to celebrate the Sun King's recovery, via a pretty ghastly surgery, from what ...

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