Rodney Crowell's last two offerings have been collaborative albums. First was 2011's Kin, an uneven collection written and recorded with novelist Mary Karr; 2013's Old Yellow Moon marked his reunion with Emmylou Harris. It was a decent record, but steeped in nostalgia rather than fresh energy. Tarpaper Sky is a no-nonsense collection of Crowell songs played by his own band with a slew of pals helping out on various tracks. It's refreshing to have his songwriting personality -- though there are a couple of co-writes -- ...
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Rodney Crowell's last two offerings have been collaborative albums. First was 2011's Kin, an uneven collection written and recorded with novelist Mary Karr; 2013's Old Yellow Moon marked his reunion with Emmylou Harris. It was a decent record, but steeped in nostalgia rather than fresh energy. Tarpaper Sky is a no-nonsense collection of Crowell songs played by his own band with a slew of pals helping out on various tracks. It's refreshing to have his songwriting personality -- though there are a couple of co-writes -- restricted by concept. Old friend Justin Neibank helmed and mixed these sessions; he gets the essence of Crowell's sound perfectly. The standouts tend to be the mid- to uptempo numbers. The opener "The Long Journey Home" references in feel and architecture -- if not anthemic force -- Bruce Springsteen's "No Surrender," but it's more empathic and tender than dramatic. "Fever on the Bayou," co-written with Will Jennings, tosses just a touch of Louisiana into Crowell's Texas-cum-Nashville gumbo. "Frankie Please" is raucous modern rockabilly with killer guitar from Steuart Smith. It draws from the same untamed root sources that Bob Dylan's "Thunder on the Mountain" does. The rough and tumble honky tonk blues of "Somebody's Shadow," co-written with Quinten Collier, has an uncharacteristic tenor saxophone in its barroom swagger, and it works. "Jesus Talk to Mama" is swinging country rockabilly with Smith's licks adding to its strut and a gospel backing vocal courtesy of Vicki Hampton. "The Flyboy & The Kid" is classic Texas Americana (and dedicated to mentor Guy Clark). The simple melody adorned with accordion, mandolin, Jerry Douglas' dobro, and Eddie Bayers's jaunty snare, underscores an inspired vocal delivering truly wonderful lyrics. Of the slower tunes, "Famous Last Words of a Fool in Love," with Shannon McNally duetting, is a winner. It reveals that life's twilight may be visible on the horizon, but the present moment is to be embraced and cherished. Likewise, the country waltz "I Wouldn't Be Me Without You" is one of the best Crowell love songs in years. Threads of memory and gratitude wind their way through the songs on Tarpaper Sky, but they liberate rather than constrain them. This album is pure Crowell: focused, balanced, always clever, at times profound. It's a welcome return to form. [Tarpaper Sky was also released on LP.] ~ Thom Jurek, Rovi
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Add this copy of Tarpaper Sky [Vinyl] to cart. $46.58, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2014 by New West Records.
Add this copy of Tarpaper Sky (Dlcd) to cart. $58.98, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2014 by New West.
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