Tapestries were a principal aspect of the ostentatious magnificence used during the Renaissance by powerful religious and secular rulers to broadcast their wealth and their might. This sumptuously illustrated book presents the first major survey of tapestry production between 1460 and 1560, and it catalogues the first monographic loan exhibition of tapestries in the United States in twenty-five years. It highlights the finest tapestry cycles of the age as one of the greatest achievements of Renaissance art. Examples from ...
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Tapestries were a principal aspect of the ostentatious magnificence used during the Renaissance by powerful religious and secular rulers to broadcast their wealth and their might. This sumptuously illustrated book presents the first major survey of tapestry production between 1460 and 1560, and it catalogues the first monographic loan exhibition of tapestries in the United States in twenty-five years. It highlights the finest tapestry cycles of the age as one of the greatest achievements of Renaissance art. Examples from many of the most important surviving set--which still dazzle today as they did five hundred years ago in the palaces and cathedrals of Europe--illustrate the contribution that the medium made to the art, liturgy, and propaganda of the time. This study focuses on the stylistic evolution of tapestry design in the Netherlands beginning with the development by Netherlandish designers in the late fifteenth and early sixteenth centuries of an aesthetic that emphasized narrative and decorative qualities. During the 1510s, 1520s, and 1530s, commissions by Pope Leo X and other Italian patrons resulted in the dispatch of tapestry cartoons by Italian artists--notably Raphael and his assistants--to Brussels, the main center of high-quality production, thus introducing Roman High Renaissance aesthetics to Northern tapestry design. Thereafter, Netherlandish artists like Bernaert van Orley and his followers melded this Italian influence with their local traditions of tapestry design to produce a rich aesthetic that was ideally suited to the medium. Smaller centers of tapestry production are also examined--particularly those set up under princely patronage in France (Fontainebleau) and Italy (Ferrara, Mantua, and Florence). Unrestrained by established practices of Netherlandish production, such artists as Tura, Mantegna, Bramantino, Bronzino, and Salviati invariably created tapestry designs that were much closer to the spirit of the Italian Renaissance than to those of their Northern counterparts. The strengths and distinctions of those contemporaneous developments and the cross-fertilization of ideas between northern Europe and Italy are fully explored in detailed essays and catalogue entries. The secondary theme of this study is the important role that tapestry played in ceremonial and daily life and the extent to which the medium reflected the personal tastes and aspirations of its patrons. This book explores the circumstances in which these enormous works of art were conceived and the complex relationships that existed between contemporary patrons, the rich merchants who bankrolled the industry, and the artists and craftsmen who designed and wove the tapestries. Many of the great tapestry cycles of the period are widely dispersed and challenging to photograph and thus little known outside a small scholarly community. In this book, the technical and artistic brilliance of these beautiful tapestries is illustrated in specially commissioned color photographs and detailed shots that reproduce them with a new vividness and immediacy. [This book was originally published in 2002 and has gone out of print. This edition is a print-on-demand version of the original book.] Published by The Metropolitan Museum of Art/Distributed by Yale University Press
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Add this copy of Tapestry in the Renaissance: Art and Magnificence to cart. $30.00, like new condition, Sold by Argosy Book Store rated 5.0 out of 5 stars, ships from New York, NY, UNITED STATES, published 2002 by Metropolitan Museum of Art.
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Seller's Description:
White, Bruce. Fine in fine jacket. Photography by Bruce White. 400 illustrations, 250 in color. x + 594pp., large, thick 4to, blue cloth, d.w. New York: The Metropolitan Museum of Art, (2002). A near fine copy in a near fine dust wrapper.
Add this copy of Tapestry in the Renaissance: Art and Magnificence to cart. $47.25, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2002 by The Metropolitan Museum of Art / Yale University Press.
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VG+/VG. Most minimal of edge wear to dust jacket. Clean and tight contents. Black cloth with color illustrated glossy dust jacket; illus. flyleaves. x, 594 pp. 250 color and 150 monochrome plates. Issued in conjunction with a 2002 exhibition. "Focuses on the stylistic evolution of tapestry design in the Netherlands beginning with the development by Netherlandish designers in the late fifteenth and early sixteenth centuries of an aesthetic that emphasized narrative and decorative qualities." (dj) Approaches the subject in chronological order. The annotated and illustrated catalogue presents 63 specific pieces. Includes bibliography and many beautiful plates. A superb reference that you will be glad to own.
Add this copy of Tapestry in the Renaissance: Art and Magnificence to cart. $47.63, good condition, Sold by Zoom Books Company rated 5.0 out of 5 stars, ships from Lynden, WA, UNITED STATES, published 2006 by Metropolitan Museum of Art.
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Book is in good condition and may include underlining highlighting and minimal wear. The book can also include From the library of labels. May not contain miscellaneous items toys dvds etc. We offer 100% money back guarantee and 24 7 customer service.
Add this copy of Tapestry in the Renaissance: Art and Magnificence to cart. $50.00, like new condition, Sold by Moe's Books rated 5.0 out of 5 stars, ships from Berkeley, CA, UNITED STATES, published 2002 by Metropolitan Museum of Art.
Add this copy of Tapestry in the Renaissance: Art and Magnificence to cart. $50.00, very good condition, Sold by G. J. Askins - Bookseller rated 5.0 out of 5 stars, ships from New Lebanon, NY, UNITED STATES, published 2002 by Metropolitan Museum of Art.
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Very Good in Very Good jacket. 10 x 12 1/2. 594 page hardcover with many illustrations. Published in conjunction with the exhibition at Metropolitan Museum in NY March 12-June 19, 2002. Country by country sections on their tapestries, many photographs (Bruce White), large Bibliography and Index. Dust jacket is complete, bright and clean. Full blue cloth exterior with title on spine in gold. Interior is unmarked, tight and clean. Large and heavy book, so mailing other than domestic standard might require extra postage.
Add this copy of Tapestry in the Renaissance: Art and Magnificence to cart. $57.10, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2013 by Metropolitan Museum of Art.
Add this copy of Tapestry in the Renaissance: Art and Magnificence to cart. $62.00, Sold by Westsider Rare & Used Books In rated 3.0 out of 5 stars, ships from New York, NY, UNITED STATES, published 2002 by Metropolitan Museum of Art.
Add this copy of Tapestry in the Renaissance: Art and Magnificence to cart. $63.00, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2002 by The Metropolitan Museum of Art / Yale University Press.
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VG (scuffs & scratches to glossy wraps; rubbing to lower edge. bump to upper, back spine edge w/ creasing. rubbing to corners) Glossy pictorial wraps w/ red & white printing. x, 594 pp. Profusely illustrated in BW and color. Issued in conjunction with a March 12-June 19, 2002 exhibition. The annotated and illustrated catalogue presents 63 specific pieces. Includes bibliography and many beautiful plates. A superb reference that you will be glad to own.
Add this copy of Tapestry in the Renaissance: Art and Magnificence to cart. $65.00, like new condition, Sold by Argosy Book Store rated 5.0 out of 5 stars, ships from New York, NY, UNITED STATES, published 2002 by Metropolitan Museum of Art.
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Fine in fine jacket. Foreword by Philippe de Montebello. Color and black & white illustrations throughout, many full-page. x, 594 pages. Large 4to, blue cloth with gilt lettering at the spine, pictorial d.w. New York: Metropolitan Museum of Art/Yale University Press, (2002). A fine copy in a fine dust wrapper. With contributions by Maryan W. Ainsworth, Rotraud Bauer, Pascal-Francois Bertrand, Iain Buchanan, Elizabeth Cleland, Guy Delmarcel, Nello Forti Grazzini, and others.
