Excerpt from Swift, Vol. 1: The Man, His Works, and the Age; Mr. Swift and His Contemporaries For their incredible patience and hospitality, I am indebted to Dr William O'sullivan, Dr Richard Hayes, Mr L. W. Hanson, and the other librarians of those sanctuaries where my work was mainly done: Indiana University, the British Museum, Trinity College (dublin), the National Library of Ireland, and - condi tion to which all others naturally aspire - the Bodleian Library, Oxford. For generously permitting me to use manuscript ...
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Excerpt from Swift, Vol. 1: The Man, His Works, and the Age; Mr. Swift and His Contemporaries For their incredible patience and hospitality, I am indebted to Dr William O'sullivan, Dr Richard Hayes, Mr L. W. Hanson, and the other librarians of those sanctuaries where my work was mainly done: Indiana University, the British Museum, Trinity College (dublin), the National Library of Ireland, and - condi tion to which all others naturally aspire - the Bodleian Library, Oxford. For generously permitting me to use manuscript materials, I thank the Board of Trinity College, Dublin, the Trustees of the British Museum, the officers of the Leicester City Museum, Bod ley's Librarian, and Mr James Osborn. I thank the Syndics of the Cambridge University Press for allowing me to quote from R. L. Colie, Light and Enlightenment, and A. R. Hall, Ballistics in the Seventeenth Century; the Delegates of the Clarendon Press for L. A. Landa, Swift and the Church of Ireland and the officers of the University Press, Dublin, for C. E. Maxwell, A History of Trinity College, Dublin. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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