Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths assesses Stravinsky's musical upbringing in St Petersburg with emphasis on his education at the hands of two extraordinary teachers whom he later either ignored or denounced: Leokadiya Kashperova, for piano and Rimsky-Korsakov, for instrumentation. Their ...
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Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths assesses Stravinsky's musical upbringing in St Petersburg with emphasis on his education at the hands of two extraordinary teachers whom he later either ignored or denounced: Leokadiya Kashperova, for piano and Rimsky-Korsakov, for instrumentation. Their message, Griffiths argues, enabled Stravinsky to formulate from that intensely Russian experience an internationalist brand of neoclassicism founded upon the premises of objectivity and craft. Drawing directly on the composer's manuscripts, Griffiths addresses Stravinsky's lifelong fascination with counterpoint and with pianism's constructive processes. Stravinsky's Piano presents both of these as recurring features of the compositional attitudes that Stravinsky consistently applied to his works, whether Russian, neoclassical or serial, and regardless of idiom and genre.
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New. Trade paperback (US). Contains: Halftones, black & white, Printed music items. Music since 1900 . 10 b/w illus. 59 music examples. Intended for professional and scholarly audience.
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The edges are stamped in Very Good jacket. A former library book from a small College with usual markings and additions; The is binding tight; the pages are clean. Very little wear. Shipping within 24 hours, with a tracking number and delivery confirmation.
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New. Trade paperback (US). 354 p. Music since 1900 . 59 Printed music items; 10 Halftones, black and white. Intended for professional and scholarly audience.
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New. Trade paperback (US). Contains: Halftones, black & white, Printed music items. Music since 1900 . 10 b/w illus. 59 music examples. Intended for professional and scholarly audience.