Released on Los Angeles' independent Black Jazz Records, 1972's Spring Rain found tenor saxophonist Rudolph Johnson leading his quartet and playing a vibrantly gritty, funky brand of modal jazz. An Ohio native, Johnson honed his skills as a member of organist Jimmy McGriff's hard-swinging group of the early '60s before establishing himself on the West Coast. Blessed with a big, warm tone and an ear for advanced harmonies, Johnson was highly regarded among his peers. Spring Rain showcases his forward-leaning aesthetic, ...
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Released on Los Angeles' independent Black Jazz Records, 1972's Spring Rain found tenor saxophonist Rudolph Johnson leading his quartet and playing a vibrantly gritty, funky brand of modal jazz. An Ohio native, Johnson honed his skills as a member of organist Jimmy McGriff's hard-swinging group of the early '60s before establishing himself on the West Coast. Blessed with a big, warm tone and an ear for advanced harmonies, Johnson was highly regarded among his peers. Spring Rain showcases his forward-leaning aesthetic, dipping into R&B grooves one minute and far-reaching atonal lines the next. It's a style that evokes the influence of titans like John Coltrane and Eddie Harris, but one which never fails to sound like anyone but Johnson. Helping him bring his earthy sound to life was his rhythm section, led by pianist John Barnes; Barnes would go on to work with a string of R&B superstars including Supremes, Marvin Gaye, and Michael Jackson (he's the keyboardist on Bad). Joining him was bassist Reggie Johnson, who would later play with Archie Shepp, Kenny Burrell, and Mingus Dynasty. Rounding out the group was drummer Ray Pounds, yet another future studio luminary who would play on Stevie Wonder's Songs in the Key of Life, and record with Phyllis Hyman, Hubert Laws, and Jeffery Osborne. Produced by keyboardist and label founder Gene Russell, Spring Rain captured their head-turning energy, steeped in driving grooves and ferocious improvisations that seemed to speak to the social and political activism of the Black community during the Vietnam era. Still, there's an immediacy to Spring Rain that transcends its cult reputation as a time capsule of '70s jazz. Johnson followed the album with a second Black Jazz release in 1974, but spent the majority of his career as a member of Ray Charles' big band before passing away in 2007. Decades after its initial release, Spring Rain remains a deeply engaging album that sparks with Johnson's soulful creativity. ~ Matt Collar, Rovi
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Add this copy of Spring Rain (Remastered) to cart. $19.49, new condition, Sold by Streetlight_Records rated 5.0 out of 5 stars, ships from Santa Cruz, CA, UNITED STATES, published 2021 by Real Gone Music.