"I couldn't stop reading. Even though I knew Weill and Lenya for fifteen years, their private side, as unveiled in these letters, is a revelation. . . . This is an exhilarating correspondence, which is also a panorama of the golden years of theater and music in the twentieth century."--Burgess Meredith "A lovingly assembled, translated, and annotated collection of intimate letters, full of sometimes dishy gossip, from two of the most fascinating personalities of the twentieth century. A record of momentous events refracted ...
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"I couldn't stop reading. Even though I knew Weill and Lenya for fifteen years, their private side, as unveiled in these letters, is a revelation. . . . This is an exhilarating correspondence, which is also a panorama of the golden years of theater and music in the twentieth century."--Burgess Meredith "A lovingly assembled, translated, and annotated collection of intimate letters, full of sometimes dishy gossip, from two of the most fascinating personalities of the twentieth century. A record of momentous events refracted through a love as complex as it was intense."--John Rockwell "One day near the end [Lenya] looked at me with those searing eyes and confessed, 'I've always envied you because you were able to sing Lulu.' I countered, 'But Lenya, you are Lulu.' And now that her revealing autobiographical fragment and these gripping letters are published, her portrait emerges in colors as vivid as Lulu's. Lenya and Weill remain unique and essential for the art of our time."--Teresa Stratas "Fascinating. . . . The collection is lavishly and definitively informative about the highest show-biz milieu of the period. These letters are intimate without sentimentality, intelligent without literary pose, gossipy without slander, informedly opinionated without deviousness, and business-like without toughness. I'm deeply admiring of the skillfully caring annotational glue provided by the editors."--Ned Rorem, composer "An impressive and enormously engrossing read about two of this century's greatest artists. If you love the theater, you will love knowing more about Kurt Weill and his enchanting Lenya. I certainly did."--Fred Ebb, lyricist of "Cabaret," "Kiss of the Spider Woman" "Because Weill and Lenya were ardent and explicit letter writers and seemingly met everyone working in music and theater, there are fascinating insights into the lives of the masters of the first half of this century. Vividly and entertainingly organized by Kowalke and Symonette, "Speak Low" is invigorating! It was impossible to put down."--Harold Prince (theater director/producer) "Kurt Weill and Lotte Lenya were an indispensable theatrical couple and this exchange of letters is an indispensable record of their relationship. It is also a record of great musical achievement both in Europe and the United States."--Robert Brustein (theater critic and stage director, head of American Repertory Theater in Boston, formerly head of Yale Repertory Theater) "Behind the legends of a legendary relationship, this invaluable compendium of the extant correspondence reveals layer upon layer of fascinating reality. Readers of every kind will be grateful to the editors for their inspired research and brilliant detective work."--David Drew (Weill scholar, editor, critic, music publishing executive)
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