By illuminating depictions of the southern belle in Gone with the Wind, the religious rhetoric of southern white Christians and the progressive identity of the white heroesin A Time to Kill (1996) and Mississippi Burning (1988), as well as many other archetypes found across films, this book explores the intersection between film, historical memory, and southern identity.
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By illuminating depictions of the southern belle in Gone with the Wind, the religious rhetoric of southern white Christians and the progressive identity of the white heroesin A Time to Kill (1996) and Mississippi Burning (1988), as well as many other archetypes found across films, this book explores the intersection between film, historical memory, and southern identity.
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