Add this copy of Seeing Straight: the F.64 Revolution in Photography to cart. $25.94, good condition, Sold by Goodwill rated 5.0 out of 5 stars, ships from Brooklyn Park, MN, UNITED STATES, published 1992 by University of Washington Press.
Add this copy of Seeing Straight: the F.64 Revolution in Photography to cart. $59.53, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1992 by Univ of Washington Pr.
Add this copy of Seeing Straight: the F.64 Revolution in Photography to cart. $94.75, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1992 by Univ of Washington Pr.
Add this copy of Seeing Straight: the F.64 Revolution in Photography to cart. $104.69, new condition, Sold by GridFreed rated 4.0 out of 5 stars, ships from North Las Vegas, NV, UNITED STATES, published 1992 by Univ of Washington Pr.
Add this copy of Seeing Straight the F.64 Revolution in Photography to cart. $2,470.00, new condition, Sold by BWS Bks rated 5.0 out of 5 stars, ships from Ferndale, NY, UNITED STATES, published 1992 by Univ of Washington Pr.
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Seller's Description:
New. 029597219X. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--168 pp. With 124 ills. 31 x 25 cm. Description: "Presents reproductions of 81 photographs produced mainly in the early 1930s by Ansel Adams, Edward and Brett Weston, Alma Lavenson, Imogen Cunningham, Willard Van Dyke and five other members of Group f.64, a short-lived association of San Francisco-area artists who repudiated the tenets of pictorialism to pioneer "straight photography, " producing elegantly precise images of natural forms and everyday objects as well as landscapes and portraits. In addition to an anthology composed of writings by the artists and several contemporary critical responses to their works, the catalogue features three essays discussing the formation and activities of the group, its significance to the development of Adams's style, and its relationship to trends in Modernist photography in Europe and the United States."--with a bonus offer--; 0.5 x 12 x 10 Inches.
