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Cinerama, a three-camera widescreen process designed essentially to pry filmgoers away from their TV screens in the early 1950s, was rooted in the "Triptych" process invented by director Abel Gance for his 1927 epic Napoleon. Most American theatre managers of the 1920s couldn't be bothered with the bulky equipment and huge, curved screen necessary for Gance's Triptychs, but by 1953 they were willing to try anything that would improve business. The first Cinerama effort, appropriately titled This is Cinerama, thrilled ...

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