Nor was multi-colourisation confined to the Greek sculptors. It was a natural development in the art of carving in every country, arising, as we have seen, out of the desire of the artist to bring his work into a closer relation with life. The Egyptians and the Chaldeans never limited themselves to the use of form in their statues and in their architecture, but sought for ways of rendering colour. The great Asiatic races used enamel as the basis of their decoration. Here we find the origin of the multi-coloured sculpture of ...
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Nor was multi-colourisation confined to the Greek sculptors. It was a natural development in the art of carving in every country, arising, as we have seen, out of the desire of the artist to bring his work into a closer relation with life. The Egyptians and the Chaldeans never limited themselves to the use of form in their statues and in their architecture, but sought for ways of rendering colour. The great Asiatic races used enamel as the basis of their decoration. Here we find the origin of the multi-coloured sculpture of Babylon, Assyria, and Susa, and, at a later date, that of Medea and Persia.
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Add this copy of Sculpture in Spain to cart. $16.06, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2023 by Alpha Edition.
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Add this copy of Sculpture in Spain to cart. $39.00, very good condition, Sold by Common Crow Books rated 5.0 out of 5 stars, ships from Pittsburgh, PA, UNITED STATES, published 1912 by John Lane.
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Very Good. Hardcover, 1912, octavo, 174pp. + 162 plate b&w index. Book VG with mild sun and small sticker to spine, general shelfwear, handsome gilt decoration to front board and spine, binding mostly tight, small red pencil mark to front endpaper, otherwise text clean and unmarked, gilt to top edge of text block. No DJ.
Add this copy of Sculpture in Spain to cart. $63.74, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2016 by Palala Press.