Excerpt from Scottish History and Literature: To the Period of the Reformation In 1851, when he was eighteen years of age, Ross entered the University of Glasgow, where, in the Humanity class-room in an out-of-the-way corner of the inmost quadrangle of the old College, his pale face and finely cut features began to attract attention and to draw fellow-students around him. Neither then nor afterwards did he attain, or seek, distinction in class work. He did faithfully the exercises prescribed, but his attention was not ...
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Excerpt from Scottish History and Literature: To the Period of the Reformation In 1851, when he was eighteen years of age, Ross entered the University of Glasgow, where, in the Humanity class-room in an out-of-the-way corner of the inmost quadrangle of the old College, his pale face and finely cut features began to attract attention and to draw fellow-students around him. Neither then nor afterwards did he attain, or seek, distinction in class work. He did faithfully the exercises prescribed, but his attention was not concentrated upon them. He was occupied with a broader course of study, and devoted more time to English literature than to the Greek and Roman classics. He also, at this period, acquired a considerable knowledge of French and German literature. The only prize he won - and he won it easily - was for the poem in the class of Logic and Rhetoric. The subject prescribed was con genial - an address to Ailsa Craig - the sea-girt rock which can be seen so well from the Ayrshire heights on which he had wandered in his boyhood. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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