Peace on Earth (Friede auf Erden), for chorus & instruments ad lib, Op. 13
Die Jacobsleiter (Jacob's Ladder), oratorio
Peace on Earth (Friede auf Erden), for chorus & instruments ad lib, Op. 13
Listeners may be thrown by this disc, for the pairing of the gentle Friede auf Erden with the turbulent oratorio Die Jakobsleiter is quite odd. Even though these works are ostensibly linked as expressions of Schoenberg's religious mysticism, they could not be more different stylistically or emotionally. Friede auf Erden is rather close to the chromatic but tonal language Schoenberg employed in Gurrelieder, and is readily accessible to anyone acquainted with late Romanticism. Appreciation of the orchestral version is easy, ...
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Listeners may be thrown by this disc, for the pairing of the gentle Friede auf Erden with the turbulent oratorio Die Jakobsleiter is quite odd. Even though these works are ostensibly linked as expressions of Schoenberg's religious mysticism, they could not be more different stylistically or emotionally. Friede auf Erden is rather close to the chromatic but tonal language Schoenberg employed in Gurrelieder, and is readily accessible to anyone acquainted with late Romanticism. Appreciation of the orchestral version is easy, due to the glowing performance given by the Deutscher-Symphonie-Orchester Berlin under Kent Nagano. But one should not be lulled by this radiant work, for the unfinished oratorio that follows presents daunting challenges. Despite the exemplary efforts of the eight vocal soloists, chorus, and orchestra, Die Jakobsleiter remains a hard nut to crack. Schoenberg's expressionistic atonality, Sprechstimme, and angular vocal lines give this work a distressing quality, and the thick...
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