The sax field becomes even more populous with another of the 1996's freshest new voices, ultra silky alto and soprano goddess Pamela Williams. On the aptly titled Saxtress, she carves her own niche in the rhythm and jazz annals with a rich mix of mellow and smokin', twisting her horn in the many directions that producer Martin Walters leads her. For a time, the surprisingly well done pop covers ("I Can Love You Like That," "The Secret Garden," "Natural Woman") may prompt you to think you've stumbled onto yet another John ...
Read More
The sax field becomes even more populous with another of the 1996's freshest new voices, ultra silky alto and soprano goddess Pamela Williams. On the aptly titled Saxtress, she carves her own niche in the rhythm and jazz annals with a rich mix of mellow and smokin', twisting her horn in the many directions that producer Martin Walters leads her. For a time, the surprisingly well done pop covers ("I Can Love You Like That," "The Secret Garden," "Natural Woman") may prompt you to think you've stumbled onto yet another John Tesh sax project. But soon, Williams slowly emerging vision takes over and originality wins out. While smooth and mid-tempo ultimately win out, the collections two real bass-soaked cookers "Ladies Night" and the title cut find her blowing damn the consequences. And those leave us begging for more of same. And finally, she has token vocals done right. The spiritual duet with Teena Marie and the texturing of Patti Labelle with Marie on "Garden" are top notch. This is one debut where commercial calculations are perfectly balanced by a true sense of artistry. ~ Jonathan Widran, Rovi
Read Less
Add this copy of Saxtress to cart. $15.88, like new condition, Sold by Wonder Book - Member ABAA/ILAB rated 5.0 out of 5 stars, ships from Frederick, MD, UNITED STATES, published 1996 by Heads Up.
